It is perhaps no coincidence that two Italian movies, exit at close range, reveal a fear that seems to be quite widespread: that of losing, without warning, a state of being. In both "One out of two" fact "that in" Saturno contro "by Ferzan Ozpetek, actors, still young, are suffering from sudden illness. It is a sign - without embarking on journeys sociological - and a strong uncertainty in the future. But it is also a narrative device to see everything from a new perspective and to enable the discovery of the true values \u200b\u200bof life.
The star of "One Out of Two" is a rampant Genoese lawyer, Lorenzo, rather unscrupulous in business and in feeling. Proudly "single" does not intend to formalize the relationship with his girlfriend, does not harbor a genuine friendship with the faithful partner and do not care to attend his sister. On the eve of the signing of a juicy contract, the lawyer collapses suddenly, in the middle of the road.
awakens in a hospital room. He had a brain disorder. How serious do not know: we must await the outcome of the biopsy. Unfortunately, however, the fate of his neighbor's bed, John, is already marked out: he is that 'one in two "condemned by the medical statistics. You a truck driver, far from being educated or sophisticated, animated, however - despite the poor prognosis - a sincere vitality. John has a secret: it is divorced and has one daughter, who lives in Umbria with his mother. The review would, but did not dare to call it.
Lorenzo is consumed in the prolonged waiting for test results until it includes a priority to have almost more important than your health: find the daughter of John.
The idea of \u200b\u200bthe film is not new, but it certainly is regenerated with original variations. The subject, awarded with Solis in 2001, became the script through the work of as many as five authors (Eugenio Cappuccio, Fabio Volo, Massimo Gaudioso, Cisco and Francesco Michele Pellegrini), which creates some slowness, but it provides a series of dialogues believable. The director
Hood debuted ten years ago, with the witty "The Charger" directed with Gaudioso and Fabio Nunziata (this time by the editor). In 2004 he described the cruelty of the world of work "I just wanted to sleep on," that is the face of "evil" of "One in two ', whose main advantages are the high moments of humanity, especially in the hospital scenes. In the end, however, a trend has "restrained" (as the neologism created in the film, funds withheld and shrunk) However, that does not compromise the outcome is largely positive, which gives a good picture of the contribution Gian Filippo Corticelli, revealing the charm of Genoa, and music by Francesco Cerasi.
all-round testing of players, from the pregnant minor roles, the newfound Agostina Belli (the former wife of John), the promising Tresy Taddei (the daughter), Pino Calabrese (the primary), Francesco Crescimone (the Sicilian hospital) and Paola Rota (Lorenzo's sister) to continue the excellent supporting cast Former Caprioli (girlfriend of Lorenzo) and Giuseppe Battiston (the partner). Up to, last but not least, all'inedita couple formed by Fabio Volo (Lorenzo) and Ninetto Davoli (John). The thirty-five Fabio Volo is now a quality performer who, after the parenthesis humor of "Manual of Love 2", return, passing, the moods of the film with D'Alatri ("If anything" and "Fever") . The cinquantanovenne Ninetto Davoli opens a new phase of his career, Pasolini's alter ego wise steward of emotions, and "Festival of Rome" has deservedly won a special prize.
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