Friday, April 13, 2007

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fiction" The Innocents ": last act of the Danish company

Marzia Apice

After "The bench" and "The Legacy" To Fly presents "The Innocents", the last chapter of the trilogy that has seen him involved in recent years to describe the Danish society through different social classes. This film, in addition to confirming the well-known talent of the author, provides further proof of the validity of the school developed in Denmark for some time now produces films interesting and never dull, deeply rooted in contemporary issues.
The self-awareness, a sense of guilt, the complexity of the truth and, conversely, the ease with which one can fall into the lies are all key themes of the film.
Carsten is a middle-aged man, a professor of science social, which has an affair with Pil, his student at the university. So far, so trivial, were it not that she translates the passion and political commitment that Carsten has taught in a real terrorist activity. One night, during an action against an industry boycott of weapons, killing a policeman GDP. A storm broke out in the life of Carsten: his wife Nina and son will turn their backs. The man chosen to be close to the GDP, which has since been locked up in prison, advising not to tell the truth, and then to plead not guilty, whatever the cost. Once acquitted, Carsten GDP and begin to live together. But, from that moment on, remorse and regret will be relentless.
Nothing can be more like before.
Again, Fly To entrust the title role is the intense Jesper Christensen, while the young woman is played by Beate Bille. Next to them also Pernilla August, actress bergmaniana memory.
"The Innocents" is a film uncomfortable, difficult, which calls into question the conscience of the viewer in a direct and decisive, with the right approach to a critical issue such as terrorism. The middle class, of which the director is a part, leaving divided in half, embroiled in a crisis that he sees on the one hand eager to act now because they are anchored to the ideals of the past and, second, unable to escape the impasse, for fear of taking responsibility.
Attractions.

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